![]() His version of HAPQ Slow is only slightly below HAPR imho and it looks nearly as good (much better than FFPMEG and After Codec's HAPQ). If you have the dough, this is the path I recommend. Named HAPR, it is a much better looking encode. In addition you can also specify the following optional flags that can be used to create HAP movies that are. For HAP Q movies use the following command: ffmpeg -i yourSourceFile.mov -c:v hap -format hapq outputName.mov. I bought the stand alone version and have to admit that it does an incredible job encoding and introduces next level HAP that we so desperately need. For HAP Alpha movies use the following command: ffmpeg -i yourSourceFile.mov -c:v hap -format hapalpha outputName.mov. The stand alone costs more but seems to be more efficient than using AME. You can buy their codecs so you can render using AE/PR/AME or you can buy his stand alone. And it's locked to a computer which is incredibly annoying if you're moving from machine to machine a lot. Have been using AME Adobe Media Encoer to transcode files to HAP thanks to Diguises plugin for a long time. There's a new third party encoder that I've been using that I like by this dude Jokyo based in France. I have not tested After Codecs for QC recently, but am willing to bet it has similar banding issues (regardless of Hap or HapQ preference) Faster to encode as some other intermediary first. It's pretty good! But I do not recommend rendering directly from sequence(s) to HAP. You can still encode directly to HAP in AE/AME/PR by using "After Codecs" – this is a paid plugin from Aescripts. Note that there is no advantage to using Hap over other codecs if the. ![]() Video can be decoded to RGB (A) formats for playback in any existing application, or if an application explicitly requests it, to compressed texture formats for accelerated playback on graphics hardware. ![]() That said: HAP's encoding can be pretty rough on gradients and causes some gnarly banding. The Hap QuickTime codec supports encoding and decoding Hap video. There's a learning curve attached to this process, but just write down what you learn so you don't forget :). Export from AE/PR whatever is a lightly compressed or uncompressed codec before sending to FFMPEG. With it, you can export to multiple codecs (H.264, H.265, ProRes, HAP), for both Mac and Windows (so yes including exporting ProRes on Windows ). It is called AfterCodecs and you can find it here : aescripts + aeplugins. We have developed a HAPQ encoder capable of correctly transcribing small gradients, while respecting the original colors.You can transcode HAP via FFMPEG – this is probably the fastest HAP renderer. I just realized Ive never shared my latest plugin for After Effects with you. ![]() To overcome the shortcomings of existing HAPQ encoding solutions (which hitherto prevented its systematic use on all types of content, especially those in motion design). ![]() Significant development in the optimization of existing encoding solutions has allowed us to go back to reasonable rendering times even in high resolution, without sacrificing the quality of the image (whilst offering more quality /speed ratios depending on the available render time). The long rendering time to obtain a satisfactory quality and the lack of high quality encoding options.ĭespite the use of numerous network rendering computers, the rapid increase of resolutions of LED screens forced us to review the encoding approach of HAP. It provided a real solution for playing multi-layer videos in very high resolution. When the HAP codec appeared for the first time several years ago, we quickly began using it at numerous events. ![]()
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